Dovlatov Museum
About the museum

People still live here

The only writer's home in Russia that is still a genuine, lived-in flat. Not a museum reconstruction and not an empty memorial room — a real Leningrad communal apartment at 23 Rubinstein Street, where Sergei Dovlatov became a writer and from where he left for good. Behind the neighbouring doors, people live to this day.

A museum usually begins where a life has ended. Ours never ended: water still runs behind the wall, and someone is waiting for their turn to the bathroom.

What this place is

Not behind glass — behind the wall

Dovlatov lived in this apartment. From here he left for emigration — and never came back. 23 Rubinstein Street stayed where it was. People still live in it.

This is not a museum in the usual sense. No empty rooms behind a velvet rope, no interior rebuilt from photographs. It is a working Leningrad communal flat — with real neighbours, a shared kitchen and a corridor used by more than just guests.

That is why we don't get visitors. We get guests — by appointment, the way you come to a house where somebody lives. You feel the difference at the doorstep.

Sergei Dovlatov's writing desk: the Underwood typewriter, a map of Petersburg and a wall of photographs
Item 034-01 · Dovlatov's desk: the Underwood and the memory wall
We don't get visitors — we get guests.
The idea of the museum
Authenticity

You can touch everything

A memorial room can always be reassembled: put up a desk, hang a lamp, place a pair of glasses under glass and declare that an era once breathed here. The result is neat and slightly resembles a morgue — clean, quiet, nobody in the way.

Here, people are in the way. It smells of someone else's dinner, a floorboard creaks, behind the wall lives a person we didn't invite and cannot switch off. And that is precisely the material of Dovlatov's prose: neighbours, the kitchen, the crowdedness, other people's voices. Remove them for the sake of solemnity — and you remove Dovlatov himself.

He wrote about the home you leave without looking back — and then dream of for the rest of your life. We don't recreate that feeling. It simply never aired out of these rooms.

The long corridor of apartment 34: a map on the wall, bicycles on the overhead shelf, oars by the door
Item 034-02 · the corridor: everyday life not tidied away — it continues
Genuine emptiness is honest. Genuine life is more honest.
History

How it came about

The story began not with a renovation but with a question: what do you do with a legendary address where people still live? The usual answer — resettle everyone, restore the rooms, hang a plaque. Here they chose the inconvenient one: leave everything as it is and let the guest into a living home.

1912
A tenement house of the Merchant Board is built at 23 Rubinstein Street — architect Alexander Baryshnikov. Apartment 34 is still a grand family flat: the age of Soviet «consolidation» will turn it into a communal one.
1944
Three-year-old Sergei Dovlatov is brought to apartment 34. He will grow up in its long corridor and become a writer in the room with the tiled stove — the one where he drank port wine with Joseph Brodsky.
1978
Dovlatov emigrates — through Vienna to New York. He will not return. The apartment goes on living, as it always had.
1990
On 24 August Dovlatov dies in New York — famous by then. Only his books come back home.
2016
A monument to the writer appears at the entrance to the house — with an Underwood on the desk and Glasha the dog underneath it. The city officially recognises the address.
2022
Aleksei Folkard and Ivan Eichenbaum open a museum right inside the inhabited apartment — without moving the neighbours out and without turning the home into an exhibition.
Today
Tours, performances and private visits coexist with the ordinary life of the communal flat. People still live behind the wall.
The green tiled stove in Dovlatov's room, with a gramophone and a red refrigerator nearby
Item 034-03 · that very tiled stove
Smirnova's room: a woman drawing the curtains by the window, a bed with a lace valance
Item 034-04 · Smirnova's room (Nora Dovlatova's)
The room of artist Mileant: a dark tiled stove, paintings and shelves
Item 034-05 · the room of artist Mileant
The kitchen: a window into the courtyard and a portrait on the blue wall
Item 034-06 · the kitchen: a window into the courtyard
The memory wall in Smirnova's room: framed photographs and a lamp
Item 034-07 · the memory wall in Smirnova's room
A copper samovar, a string of dried bagels and candles — the tea table in a communal flat
Item 034-08 · the samovar and bagels for tea
The library room: bookcases to the ceiling, a laid tea table and a samovar
Item 034-09 · the library and the laid table
A KVN-49 valve television on the dresser, a red pennant and bottles by the wall
Item 034-10 · the KVN-49 television, still working
A reflection in an antique mirror and a red rotary telephone on the stand
Item 034-11 · the mirror and the red telephone
Facts

Inventory

Address
23 Rubinstein Street, apt. 34 · St. Petersburg
Founded
2022 · Aleksei Folkard and Ivan Eichenbaum
What it is
The only genuine lived-in writer's apartment in Russia
The building
A tenement house, 1912 · architect Alexander Baryshnikov
Formats
Guided tour (2 h), immersive performance (1.5 h), the play (60 min), museum tour (1 h), private visit
Neighbours
People still live in the apartment. This is not a reconstruction
Mascot
Glasha the dog. The by-appointment rule does not apply to her
Reviews
over 11,326 guest reviewsas of July 1 · Tripster, Sputnik8, Yandex Maps and other platforms
Getting in
By advance booking only; tours need no prepayment. Vladimirskaya and Dostoevskaya metro, 7 minutes
Founders

Who we are

There are two of us. We are not an institution, not a foundation, not a department of culture — two people who went ahead and opened a museum inside a lived-in communal flat. Which, if you think about it, sounds like the opening line of a Dovlatov story.

Aleksei Folkard. Black-and-white portrait: dark suit and tie, hands folded, a weathered wall behind
Aleksei Folkard

Came up with this museum: the idea that a home can be shown without turning it into an exhibition, and that a guest is better than a visitor.

Ivan Eichenbaum. Black-and-white portrait by bookshelves, turtleneck and jacket
Ivan Eichenbaum

A museologist — degree from the Museology Department of the St. Petersburg Institute of Culture. Keeps the home real: makes sure the living, inconvenient texture — the one people come here for — never gets lost behind the idea.

If anything is wrong — complain directly to the two of us. There is no one else: we are all there is.
Come over

People leave this place forever — yet the door never quite closed. Knock, and it will be opened.

Visits by advance booking only

Tours: no prepayment · pay on site · or call +7 931 109-12-35

All programmes are in Russian. If you'd like a visit in English, mention it in the booking comment — we'll write back with options: hello@dovlatovmuseum.ru.